Push: A Novel by Sapphire


Review


Push: A Novel by Sapphire
The ending, composed of excerpts from the journals of Precious's classmates, lends heightened realism and a wider scope to the narrative, but also gives it a quality of incompleteness. Yet that voice begs to be heard in a larger novel of more depth and complexity. 150,000 first printing; first serial to the New Yorker; audio rights to Random; foreign rights sold to England, France, Germany, Holland, Portugal and Brazil.
. It is here that Sapphire falters, as her slim and harrowing novel, with its references to Harriet Tubman, Langston Hughes and The Color Purple (a parallel the author hints at again and again), becomes a conventional, albeit dark and unresolved, allegory about redemption. Sapphire has created a remarkable heroine in Precious, whose first-person street talk is by turns blisteringly savvy, rawly lyrical, hilariously pig-headed and wrenchingly vulnerable. That is the device deployed in the first novel by poet and singer Sapphire. "Sometimes I wish I was not alive," Precious says. "But I don't know how to die. As her language skills improve, she finds sustenance in writing poetry, in friendships and in support groups-one for "insect" survivors and one for HIV-positive teens. Claireece Precious Jones endures unimaginable hardships in her young life. Ain' no plug to pull out. 'N no matter how bad I feel my heart don't stop beating and my eyes open in the morning." An intense story of adversity and the mechanisms to cope with it.
With this much anticipated first novel, told from the point of view of an illiterate, brutalized Harlem teenager, Sapphire (American Dreams), a writer affiliated with the Nuyorican poets, charts the psychic damage of the most ghettoized of inner-city inhabitants. Obese, dark-skinned, HIV-positive, bullied by her sexually abusive mother, Clareece, Precious Jones is, at the novel's outset, pregnant for the second time with her father's child. gReferred to a pilot program by an unusually solicitous principal, Precious comes under the experimental pedagogy of a lesbian miracle worker named, implausibly enough, Blue Rain. Abused by her mother, raped by her father, she grows up poor, angry, illiterate, fat, unloved and generally unnoticed. So what better way to learn about her than through her own, halting dialect.




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